sarillia: (Default)
[personal profile] sarillia posting in [community profile] write_away
How do you go about deciding what to work on next? Does one just call out to you or do you have a process for choosing one?

Normally I can just pick one and work on it until it's done--though occasionally I end up deciding that I'm not ready to start the one I chose after all and it works better if I get back to it later--but lately I my mind has been all over the place and I can't decide.

Sometimes what I do is I make a list of my top choices and then I go through that list and make a new one out of my top choices from that list and keep doing that until I only have one left. But I can't seem to narrow it down this time.

Part of it, I think, is that issue of audience appeal I talked about before. Instead of basing it entirely on my enthusiasm, I can't help thinking about what might be most salable too.

Date: 2014-02-20 06:09 pm (UTC)
inkdust: (Default)
From: [personal profile] inkdust
To be honest I'm of the "it picks me" persuasion. Whatever story is naturally churning out the most ideas and details and makes me feel the most energized when I think about working on it is the one that I follow.

Last year I very reluctantly set my long-time work in progress aside to write my current novel because while trying to plan out the old project was making me feel stuck and lifeless and overwhelmed, the new one continued to feed me new ideas so persistently and made me want to sit down and write it. I felt guilty and scared when I decided to put my "if I can only write one story in my life it needs to be this one" to the back burner, but I decided it was time to listen to the other one, and it was a fantastic decision. Of course, the length I work with means that whatever idea I choose will strap me in for a long haul. So that's an increase in pressure.

Personally (at this point at least) I can't take audience appeal into account when it comes to deciding what to work on. For content within a story, I start to consider that, but if I'm not working on the story that has 100% of my enthusiasm behind it, the story won't happen.

Date: 2014-02-20 06:50 pm (UTC)
inkdust: (Default)
From: [personal profile] inkdust
Wow, that's insane to me. I don't think I could have that many ideas that were distinct enough from each other to be independent stories. I guess I also tend to look for ways to combine ideas into existing ones. If you do want any external feedback, I'd be happy to give an opinion on what seems most interesting / to have the most potential.

Date: 2014-02-20 06:56 pm (UTC)
inkdust: (Default)
From: [personal profile] inkdust
Sounds good!

Date: 2014-02-20 08:40 pm (UTC)
inkdust: (Default)
From: [personal profile] inkdust
Ooh, 4 and 10 sound really cool to me. 4 sounds like a great start to a series and 10 sounds like it could have some great moral gray area stuff going on. "Bone magic" is an awesome term. 7 would probably be my runner-up.

So I would vote for one of those. It's funny, I can see where I would start combining things if the ideas were mine (1&8, 2&7). I guess if I want to learn to write short stories I need to stop doing that so much.

Date: 2014-02-20 11:12 pm (UTC)
splinteredstar: (Default)
From: [personal profile] splinteredstar
Just popping in that I totally thought of combining 2&7 as well.

Date: 2014-02-21 12:11 am (UTC)
inkdust: (Default)
From: [personal profile] inkdust
Yeah, I can imagine how 1 and 8 could be quite different with more detail. I think 7 with elements of 2 would be really cool.

Date: 2014-02-21 12:21 am (UTC)
lunabee34: (Default)
From: [personal profile] lunabee34
I would read every single one of these stories. I don't think that's helpful in the winnowing down process. LOL I think 6 and 9 interest me most.

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