inkdust: (Default)
[personal profile] inkdust posting in [community profile] write_away
I've known for a while now that I struggle with grounding my scenes with setting details. I'm so wary of drawn-out descriptions of places and people that I run the risk of writing scenes that read more like dialogue scripts. So one element of tackling my second draft is consciously adding in more background details.

Where are your writing weaknesses? What do you do to try to overcome them?

Date: 2014-02-28 08:12 pm (UTC)
sarillia: (Default)
From: [personal profile] sarillia
I actually really love writing the characters' reactions to the dialogue. I think part of it is that living with my anxiety has made me really aware of the sort of bodily responses that can happen under emotion since mine are so exaggerated. But I love to think about how each line might affect the person speaking and the person being spoken to, the complex emotions that are brought to the surface and how they are reflected in their body language.

Date: 2014-02-28 08:32 pm (UTC)
sarillia: (Default)
From: [personal profile] sarillia
You could try researching body language. There's a lot of interesting scholarship on the subject. If you combine the information from various sources you might be able to make such a list yourself.

Date: 2014-02-28 08:43 pm (UTC)
serria: (Default)
From: [personal profile] serria
Oh, I so agree about that master list! I get not wanting to put in excess descriptions that don't serve a point, but a good scene should be able to tell itself from the actions as well as the dialogue, I think. But I hate feeling like I'm recycling the same cliches. I cringe myself whenever I write the word "frown" or "stared at ___" now, because I use them way too often.

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