on writing female characters
Mar. 7th, 2014 06:56 pmOkay, so. This is mostly me trying to sort my own brain out. Sometimes writing things down helps me figure out what they are.
Short version: sometimes I get wigged out over female characters.
Context: I have an old, old idea. Involves rebels against an oppressive government, only the leader of the rebellion falls under the influence of the superweapon (I can ramble about how that works later) and goes bug fuck insane. Still not certain if the crazy is terminal.
Originally, the rebel leader was a man named Joshua, but Joshua ended up being a very different character (a Royalist, for one). So I split him into two, Joshua and Julian, Julian being the rebel leader who eventually goes insane and becomes the villain. And it sat for a year.
Well this week I was struck with the idea. What if Julian was instead Jillian?
But that sort of opened a mess of questions in my head. A good rebel leader (and good villain) requires passion and drive and cunning and charisma. Would making the villain a woman ‘make a statement’ about women with those traits? I always despaired as a child that all the powerful women in fiction were evil. But if I /don’t/ make the character a woman, is that making a different, equally bad statement? Does equal representation count for the antagonists?
Worrying about all this is a bit daft, I know. A character shouldn’t be swayed by the pressures in my society. But I do worry. What if I’m being swayed and not aware of it? There's a mess of social implications with female characters which of course also exist for male characters, but I don't feel them as strongly. Thinking about it is better than, well, not thinking about it, but how do I find an /answer/?
Arg. Any opinions would be wonderful.
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Date: 2014-03-08 01:20 am (UTC)no subject
Date: 2014-03-08 02:20 am (UTC)no subject
Date: 2014-03-08 04:03 am (UTC)no subject
Date: 2014-03-08 07:34 pm (UTC)I love queens and lately I have been thinking of stories about queens doing things. You know what else I like? Strong, powerful peasant girls and middle class merchant ladies. They don't have to be considered powerful in-universe to be powerful as characters.
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Date: 2014-03-09 01:05 am (UTC)And it is!
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Date: 2014-03-08 03:16 am (UTC)I've said before that I think the key to good representation is having several characters who fit into whatever group you're worrying about who are all different people. If you have just one, it could conceivably be read as a statement about how all X are Y, but if you have several with various vices and virtues then it's hard to read anything into except that they are individuals like anyone else.
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Date: 2014-03-08 04:07 am (UTC)I am getting some ideas, though, about what I can do. Thank you, everyone.
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Date: 2014-03-08 04:40 am (UTC)no subject
Date: 2014-03-08 04:00 am (UTC)no subject
Date: 2014-03-08 04:02 am (UTC)no subject
Date: 2014-03-08 04:18 am (UTC)So I'm not really sure there's a right or wrong side. Just shades of lunacy that happen to point in opposite directions, until Jillian goes completely crazy and starts burning everything. But yes, putting equally compelling women opposite her (in each faction, most likely) is probably the way forward, isn't it?
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Date: 2014-03-08 04:26 am (UTC)no subject
Date: 2014-03-08 04:40 am (UTC)It's just. I grew up with two older brothers, and always hung out with their friends and boy scout activities. And a lot of the older novels I read growing have male protagonists, and the female characters were so far from people as to be useless. So even now I'm like "oh god, women, how do I."
But that's my own issue. I'm working on it.
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Date: 2014-03-08 04:43 am (UTC)no subject
Date: 2014-03-08 02:30 am (UTC)I don't think you should worry about making the villain a woman. Try not to even consider it mattering, focus on the character beyond the gender. But a good general rule is that if you're worried about making a social statement with a character that's going to be reduced to his or her group, then have another character from that same group that's not in the "controversial" position. If your villain is gay, that's fine, but if you don't want an audience to suspect you might be homophobic, have at least one other gay character who is a hero, or at least as more admirable traits. Same with a female villain - are you able to make another female character on Joshua's side, who also perhaps has those traits of being clever and charismatic, but isn't a villain?
I think equal representation definitely applies to villains, too. Or rather, I don't like to think of it in those terms. More just writing about real people who happen to be fictional. But it is important not to reduce the character to that particular trait or group status, and better to have other members of that group present in the story who are not antagonists. Especially if you, the author, are not in that particular minority group yourself.
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Date: 2014-03-08 04:36 am (UTC)Yeah, I try to. But I don't want, well. Like I said, when I was younger I figured I had to be bad, because all the strong women were bad. I don't want to fall into that trap, that strength and cunning and independence means evil. So yeah, put an opposite number, one who disproves that. *nod nod* Not quite sure who, yet, but I'm starting to get ideas.
I don't usually. I'm just aware enough to realize that representation matters, and I worry about the effect I might have on readers. It's like, I know that gender doesn't matter to me personally, but I know that it matters to the world.
If I wasn't actually in a minority group I would try and find someone who /was/ who didn't mind me pestering them with questions. I'm not completely new at this. *wink*